Art Not Oil coalition calls on National Portrait Gallery to break sponsorship ties with oil company responsible for climate change.
Earlier this afternoon 25 performers scattered throughout the National Portrait Gallery simultaneously had oil poured over their faces in a dramatic protest against the gallery celebrating 25 years of sponsorship from controversial oil company BP.
The performance took place just days ahead of the gallery’s BP Portrait Award 2014 prize ceremony on Tuesday 24 June and exhibition opening to the public Thursday (26 June), and was carried out by Reclaim Shakespeare Company, Liberate Tate, London Rising Tide and Shell Out Sounds – a number of groups from the Art Not Oil coalition of organisations seeking an end to oil-industry sponsorship of the arts.
The protest piece, entitled ‘25 Portraits in Oil’, created 25 portraits of oil-smeared faces from across the gallery, one for each year that BP has sponsored the award, and highlighted the role the National Portrait Gallery is playing in exacerbating climate change by legitimizing the devastating impacts of fossil fuel companies. The nearby ‘official’ portraits were chosen by the performers to map out a timeline of British history and the fossil fuel industry.
The National Portrait Gallery is celebrating the 25th anniversary year of its partnership amidst widespread appeals for the institution to stop supporting BP as oil sponsorship has become the unacceptable face of British arts and culture in a time of climate change.
One of the performers, Anna Johnson, said:
“Any celebration of British art bearing BP’s logo is also endorsing that company’s business model which is wholly based on the destruction of a safe, liveable climate. The National Portrait Gallery is marketing BP as socially responsible when it is one of three main companies most responsible for climate change. It's time for public arts institutions to stop being publicity agents for Big Oil.”
Art Not Oil is encouraging the National Portrait Gallery and other public institutions that support BP such as the Tate and British Museum to take leadership by playing a positive role to address climate change,rather than being part of the problem.
Since 1989, when BP was brought in to sponsor the Portrait Award, much has changed: the scientific evidence of climate change due to burning hydrocarbons and the negative social and environmental impacts of oil companies, BP in particular, are now clear and far more widely known amongst the increasingly climate-conscious public, including art lovers. Many gallery goers have expressed a desire to see exhibitions without being made complicit in social and environmental destruction.
John Sands of Art Not Oil said:
"Not long ago tobacco companies were seen as respectable partners for public institutions such as the National Portrait Gallery. That is no longer the case. Fossil fuel companies are now being seen in the same light. The public is rapidly coming to recognise that the BP and Shell sponsorship programmes are attempts to buy a better image by companies with huge negative impacts on human rights, the environment and our global climate.Cultural leaders should simply stop accepting dirty money from oil companies to promote fossil fuels."
The National Portrait Gallery has seen over a decade of protests on its oil company links. In recent years, a growing movement of artists, activists and art lovers is mobilising for public institutions to stop taking money to undertake publicity for climate-changing companies.
Earlier this year, Nobel Laureate Desmond Tutu called for action by 'people of conscience' against arts and sports programming sponsored by fossilfuel companies, saying: "Twenty-five years ago people could be excused for not knowing or doing much about climate change. Today we have no excuse. Companies responsible for emitting carbon and accelerating climate change are not simply going to give up. They need persuasion from the likes of us [and] our cultural institutions to cut their ties to the fossil-fuel industry."
‘25 Portraits in Oil’ comes after a series of protests at the British Museum and at both London Tate galleries regarding BP. On 15 June protestors dressed as Vikings carried a longboat into the British Museum. The last Shell Classic concert was celebrated by Art Not Oil on 8 June, since the Southbank Centre has ended this sponsorship arrangement.
Pictures and footage of the performance are available for media. For comment, information or images email@example.com
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Note to editors:
Art Not Oil (artnotoil.org.uk) is a coalition of autonomous organisations united around the aim of ending oil sponsorship of the arts. Member organisations include Liberate Tate (liberatetate.org), Platform (platformlondon.org), Reclaim Shakespeare Company (bp-or-not-bp.org), Rising Tide (risingtide.org.uk), Science Unstained (scienceunstained.co.uk), Shell Out Sounds (shelloutsounds.org) and UK Tar Sands Network (no-tar-sands.org).
The National Portrait Gallery is a national museum which aims ‘to promote through the medium of portraits the appreciation and understanding of the men and women who have made and are making British history and culture, and ... to promote the appreciation and understanding of portraiture in all media’.
The BP Portrait Award is the "most prestigious international exhibition of contemporary portrait painting". The BP Portrait Award 2014 exhibition will run at the National Portrait Gallery from 26 June to 21 September 2014. In 2014, the BP Portrait Award is in its 35th year and in its 25th year of sponsorship by BP. BP took over from what was the John Player Portrait Award backed by Imperial Tobacco.
Carbon dioxide levels have now reached 400 parts per million (ppm) – way over the safe level of 350ppm. BP is responsible for 2.5% of global historic emissions making it one of the three companies most responsible for climate change since industrialisation.
The National Portrait Gallery is used by BP to promote its image to the Gallery's marketing reach of over 40 million people. In addition, the Awards ceremony allows BP direct access to VIPs, business leaders, cultural leaders, journalists and opinion formers.BP uses the public institution to give its brand a positive boost on a yearly basis in when they are cited as the named sponsor for the Award by arts and mainstream press, featured in adverts all over the London Underground, marketingthrough web and social media and other avenues of cultural exposure.
The BP sponsorship of the National Portrait Gallery is part of a £10 million sponsorship deal by BP that includes three other of London’s major arts institutions: the Royal Opera House, British Museum and Tate. All have seen protests from artist and the public.
We need an apartheid-style boycott to save the planet: We must stop climate change, by Desmond Tutu (The Guardian, 10 April 2014) http://www.theguardian.com/commentisfree/2014/apr/10/divest-fossil-fuel…